If
there’s one thing 2016 will be remembered for is the passing of some notable
celebrities. Some of the biggest names have come out of the world of music,
such as Prince, David Bowie and Glen Frey. Other personalities include boxing
icon Muhammed Ali, former first lady Nancy Reagan, Holocaust survivor and
author Elie Wiesel, author Harper Lee, producer and director Garry Marshall,
and actors Alan Rickman, Patty Duke, and most recently Gene Wilder.
Three
other actors that we’re sure to see on the Emmy montage this Sunday are Garry
Shandling, Abe Vigoda, and Doris Roberts. Before the days of 30 Rock Shandling brought us The Larry Sanders Show, one of HBO’s
most influential comedies about a late-night talk show. In 1998 it won Emmys
for Outstanding Writing and Directing, and Rip Torn won Outstanding Supporting
Actor in 1996. The show was nominated for Outstanding Comedy Series six times
in a row, and Shandling for Outstanding Lead Actor five times.
As
for this year’s awards, as viewers we’ve lost Emmy regulars Mad Men, Parks and Recreation, and even Louie.
Can newbies Black-ish, Masters of None and Mr. Robot
make some noise? After losing
money on tackle football and haggling over your fantasy team and all day, why not try to make some back on a primetime
awards show?
(Odds
figured by Bovada)
Although
the odds are not available this year, here’s some quick picks for the supporting
performance categories:
Supporting Actress
in a Comedy Series
Anna
Chlumsky is always great as part of the Veep
ensemble, but until Mom ends or
Allison Janney just stops acting, Janney takes the prize.
Supporting Actor
in a Comedy Series
Louie
Anderson as a woman? Hard to envision. This is the most crowded acting category
with seven nominees, and Captain Ray Holt, Phil Dunphy and Titus Andromedon are
characters that are tough to ignore. However, all signs point towards Veep, and Tony Hale will win his third
award in four years as the president’s lap dog Gary Walsh.
Supporting Actress
in a Drama Series
The
Game of Thrones trio Cersei Lannister,
Daenerys Targaryen and Ayra Stark are always dangerous, but in the end it’s all
about Cersei. Lena Heady takes her first Emmy.
Supporting Actor
in a Drama Series
Normally
when a character dies, I can only imagine it would be difficult to continue to write
a plot line for that character. It was done for Ben Mendelsohn as Danny
Rayburn, but even in doing so he was not as prominent as he was in the first
season of Bloodline. Even without an
epic speech this season Peter Dinklage would be an easy choice, and Jon Snow
was all anybody talked about. With that said I’m going with Jonathan Banks as the conflicted Mike Ehrmantraut in Better Call Saul.
Lead Actress in a
Comedy Series
Ellie Kemper, Unbreakable Kimmy Schmidt – 5/1
Julia
Louis-Dreyfus, Veep – 1/5
Laurie Metcalf, Getting On – 33/1
Tracee Ellis Ross, Black-ish – 18/1
Amy Schumer, Inside Amy Schumer – 7/1
Lily Tomlin, Grace & Frankie – 9/1
It’s
good to see Ellie Kemper here, who received a blatant snub last year for her
role as Kimmy Schmidt, the girl acclimating to the real world and New York City after living against her will in a bunker for 15 years. The first time
nominee has the best odds to dethrone Louis-Dreyfus, who is going for her fifth
consecutive Emmy for her role as now former Commander-in-Chief Selina Meyer. As
fun as Kemper is to watch, Louis-Dreyfus is still where to place your money. This
season Meyer is conniving as ever, and Louis-Dreyfus delivers every brazen
insult with perfect tenacity. Per usual you need to bet a lot to win a little,
but your money is safe with Louis-Dreyfus.
Lead Actor in a
Comedy Series
Anthony Anderson, Black-ish – 6/1
Aziz Ansari, Master of None – 3/1
Will Forte, The Last Man on Earth – 30/1
William H Macy, Shameless – 20/1
Thomas Middleditch, Silicon Valley – 12/1
Jeffrey Tambour, Transparent – 1/3
It’s
good to see a couple of fresh faces in this category (sorry Jim Parsons). Aziz
first broke through as part of the great ensemble of Parks and Recreation, and it’s nice to see him recognized for
portraying Dev, a struggling actor in New York City in an appealing show that
Aziz created. Middleditch might not play the best character on Silicon Valley, but he’s the obvious
nomination choice as the neurotic Pied Piper founder Richard Hendricks. It
would be a nice surprise if either won, but unfortunately they have to face
Tambour, who has the momentum to win multiple awards for his role as a
transgender woman. Like Louis-Dreyfus you need a large bet for it to pay off,
but Tambour is a lock for his second straight Emmy.
Lead Actress in a
Drama Series
Viola Davis, How to Get Away With Murder – Even
Claire Danes, Homeland – 6/1
Taraji P Henson, Empire – 12/1
Tatiana Maslany, Orphan Black – 20/1
Keri Russell, The Americans – 5/1
Robin Wright, House of Cards – 17/10
Besides
swapping out Elizabeth Moss for Keri Russell, nothing else has changed in this
category from last year. As First Lady Clair Underwood, it’s hard to
believe that Wright can find ways to be more sadistic and manipulative than she
has in the past, but she pulls it off. Davis is coming off the momentum of her
win last year and has the most favorable odds. But I also I wouldn’t sleep on
Tatiana Maslany, and Claire Danes’s Carrie Mathison is always a wildcard. All
solid selections, but I’m going all in on with first time nominee Keri Russell. The Americans has been praised by the
critics since it premiered in 2013 and it’s about time it’s being recognized by
the Television Academy. As a Soviet agent posing as an American family in
Washington D.C. towards the end of the Cold War, Russell’s Elizabeth Jennings
was always more focused on the mission at hand than her husband and fellow spy
Philip, who in the past has questioned their motives. This season it’s
Elizabeth that’s second guessing herself when the side effect of one of her
missions breaks up a friend’s family. It’s a deserving performance four years
in the making, and the odds make for a decent payout.
Kyle Chandler, Bloodline – 20/1
Rami Malek, Mr. Robot – 2/3
Bob Odenkirk, Better Call Saul – 6/1
Matthew Rhys, The Americans – 5/1
Liev Schreiber, Ray Donovan – 33/1
Kevin Spacey, House of Cards – 11/5
I
like Matthew Rhys for all the reasons I just gave about Keri Russel. Chandler
is also great as the patriarch of the damaged Rayburn family, and it’s hard not
be a fan of Odenkirk’s Jimmy McGill. However, front runner
and first time nominee Malek seems to have the upper hand. Mr. Robot
was the surprise hit of last summer; a cool show about anti-establishment
computer hackers that critics and Emmy voters can get behind. Malek is haunting
as the troubled Elliot Alderson, the narrator and computer programmer recruited
to bring down on the conglomerate ‘Evil Corp.’ As discrete as the character
tries to be, Malek brings an intensity that can’t be avoided. It’s a performance
that could earn him multiple nominations in this category for years to come.
Best Comedy Series
Black-ish – 14/1
Master
of None – 6/1
Modern
Family – 14/1
Silicon
Valley – 33/1
Transparent – 8/1
Unbreakable
Kimmy Schmidt – 14/1
Veep – 1/5
Other
than Black-ish and Master of None, the other nominees were
all up for this award last year. Both newcomers are a welcome breath of fresh
air, and from what I’ve seen of the other nominees this year, the final product
has been on par on what they’ve done in previous seasons (and many don’t
consider Transparent a comedy). So
how is it possible that after losing its creator and showrunner Armando
Iannucci after season 4 that Veep is
coming off arguably its best season? All of the insults and ridicule are still
there, but they were more cutting edge and persistent. It’s the best written
comedy on television that’s going to make you laugh out loud, plain and simple.
Last year I picked Modern Family mostly
because of its five year winning streak, but also because it was a safe pick in the eyes of Emmy voters.
Not anymore. The payout isn’t very enticing, but Veep is the logical bet.
Best Drama Series
Better
Call Saul – 33/1
Downton
Abby – No Chance in
Hell (just kidding 33/1)
Game
of Thrones – 1/4
Homeland – 25/1
House
of Cards – 20/1
Mr.
Robot – 3/1
The
Americans – 8/1
Besides
first-time nominee Mr. Robot, none of
the other shows in this category have favorable odds. And it’s understandable. Homeland best days seem to be behind it,
and the absurdity of House of Cards
seems to be gaining momentum. The payout for The Americans could make for a nice bet, and four years of acclaim
might score it a win. Mr. Robot makes
you pay attention with its many twists and turns, and could win for its
newfangled style. But like Veep, Game of Thrones is coming off perhaps
its best season. Maybe it has to do with the show moving beyond George R.R.
Martin’s books and the plot lines are now in unknown territory. But mostly Thrones keeps finding ways to top
itself. Until this season I believed the ‘Blackwater’ episode from season two
was the show’s best. Now I’m not so sure. This season’s ‘Battle of the
Bastards’ has been handed the crown, and it was followed up by a finale that
was equally as shocking and intense. If Mr.
Robot keeps its edginess, it might one day win this category. For now, Game of Thrones is still the ruler of
the top prize of the evening.






























