March
21st, 1999. Oscar night twenty years ago. Back when the timing of
the award ceremony rivaled the NCAA basketball tournament, but still 45 million
viewers tuned in to see Tinseltown honor the best films of 1998.
That
year the nominees for Best Picture were Shakespeare
in Love, Saving Private Ryan, Life is Beautiful, Elizabeth and The Thin Red
Line. Like any list of nominees, a case could be made if each film deserves
to be there. If the current rule of having up to ten films be nominated was
around in 1999, the field could have also included The Truman Show, Out of Sight,
Rushmore, American History X, A Bug’s
Life, Pleasantville, A Simple Plan or the film that has probably
has the most staying power out of them all, The
Big Lebowski.
At
the end of the night, Shakespeare in Love
beat out the World War II drama Saving
Private Ryan, still considered one of the biggest upsets in Oscar history.
It might not be as egregious a winner as Crash
or The Artist, but Shakespeare in Love also had stiffer
competition.
The
truth is I would make time to sit down and watch Saving Private Ryan again, but I can’t say that about the other
Best Picture nominees. Honestly, I would probably choose most of the other
movies I mentioned from that year except for Saving Private Ryan.
The
Hollywood awards season happens so soon that audiences don’t have much time to
fully digest the nominated films, which is not always a good thing. Any year
can be looked back with some criticism, with some having stronger cases than
others. In my opinion, which in essence is how the winners are picked (but only
by the opinions of a select few), 1999 is one of the years that deserves a do
over.
Will
a similar sentiment be felt if there are any considerable “upsets” during
Sunday’s awards? And how will this year’s nominees be looked at 20, 10, or even
5 years down the road? Only time will tell. For now I can only speculate who
will take home the trophies in the categories that hopefully will not be
awarded during a commercial break (I’m looking at you, Best Sound Mixing).
Best Supporting
Actress
Amy Adams, Vice
Marina de Tavira, Roma
Regina King, If Beale Street Could Talk
Emma Stone, The Favourite
Rachel Weisz, The Favourite
Marina
de Tavira can be considered one of the first “surprise” nominations, where
Emily Blunt could have squeezed in for either A Quiet Place or Mary Poppins
Returns. But the Academy is always going to lean towards the indie darling
over movies people actually see. Stone and Weisz could essentially cancel each
other out, which leads to King, who's been the frontrunner all through award season. If Beale Street Could Talk was snubbed for Best Director and Best Picture, so look for King to score for one of the film's three nominations.
Best Supporting
Actor
Mahershala Ali, Green Book
Adam Driver, BlacKkKlansman
Sam Elliott, A Star Is Born
Richard E. Grant, Can You Ever Forgive Me?
Sam Rockwell, Vice
Driver
snuck in here over Timothée Chalamat's addict portrayal in Beautiful Boy or even Michael B. Jordan
for Black Panther. But blockbusters
normally are not Oscar’s cup of tea. Surprisingly, this is Sam Elliott’s first
nomination, and he captures every scene he’s in. However similar to Rockwell,
Elliot might need more screen time to persuade voters. Grant could be gaining
steam, but I’m going with Ali for playing world-class pianist Dr. Don Shirley. His chemistry with co-star Viggo Mortensen is terrific, and if voters are going to honor the polarizing film, this is it. Plus Ali crushing it in this season
of True Detective could also sway voters. This would be Ali's second Best Supporting Actor award in three years (Moonlight, 2017).
Best Actress
Yalitza Aparicio, Roma
Glenn Close, The Wife
Olivia Colman, The Favourite
Lady Gaga, A Star Is Born
Melissa McCarthy, Can You Ever Forgive Me?
Like
de Tavira, Aparicio is a first-time nominee, and beat out potential snub Toni
Colette for Hereditary. But just like most blockbusters, the Academy turns its nose against horror and
comedies. I’m all in favor of Gaga, who along with her powerful voice shows that she can
act as well. But sometimes voters need to reward its veterans, and Close is
certainly no stranger to Oscar let down. Going back to 1982, she’s been
nominated 6 previous times with zero wins. It’s Close’s turn to take home the
prize.
Best Actor
Christian Bale, Vice
Bradley Cooper, A Star Is Born
Willem Dafoe, At Eternity’s Gate
Rami Malek, Bohemian Rhapsody
Viggo Mortensen, Green Book
Dafoe’s
nomination is a little unexpected here, seeing as Ethan Hawke has been
continually praised for First Reformed.
Bale could be a dark horse, since voters love complete transformations. And
Bale has the former Vice President’s mannerisms down to a science, even gaining
40 pounds for the role. Like Gaga, I would lean towards Cooper, seeing as he
learned how to play the guitar and sing to play Jackson Maine. Malek is
everyone’s darling though, and even though he lip-syncs throughout the film, he
captures every aspect of Queen frontman Freddie Mercury. And voters love real
life portrayals. Malek wins with his first nomination.
Best Director
Spike Lee, BlacKkKlansman
Pawel Pawlikowski,
Cold War
Yorgos Lanthimos, The Favourite
Alfonso Cuarón, Roma
Adam McKay, Vice
With
all due respect to Pawel Pawlikowski, who I’m sure made nice film, there’s
little to no excuse for excluding Bradley Cooper here. How can he direct
co-stars Sam Elliot and Lady Gaga up to receive nominations and still be left
off this list? Plus, people actually went and saw A Star Is Born, which I’m not sure I can say about Cold War. None of it is going to matter
anyway. Besides the scenes with dog poop and full male nudity, Cuarón made a
beautifully shot movie that the Academy loves, even if it is a complete snooze
fest. He’s been dominating award season, and anything different here would be a
complete shocker. Cuarón will win for the second time in this category (Gravity, 2014).
Best Picture
Black
Panther
BlacKkKlansman
Bohemian
Rhapsody
The
Favourite
Green
Book
Roma
A
Star Is Born
Vice
An argument could be made that other films from 2018 such as If Beale Street Could Talk, Can You Ever Forgive Me?, Mission Impossible: Fallout, Spiderman: Into The Spider-Verse, Eighth Grade, Widows, The Death Of Stalin, Call Me By Your Name, First Man, Won’t You Be My Neighbor?, Annihilation,
Searching, Hereditary, or even Paddington
2 could make this short list. Personally, I’m a little surprised that a
comic book film like Black Panther
was nominated (even though it deserves to be), and I believe it will be a film
that’s still watched and talked about several years down the road. The same
goes for A Star Is Born due to its star power, and I actually believe in Cooper and Gaga’s love
story as it unfolds on screen. I’m not sure if Roma, the clear-cut favorite, will have the same shelf life. Many
critics will probably say I have no soul for this, but I tried to give this movie
a chance. I began to doze off twenty minutes
into the film, eventually fast forwarding through the remainder and making occasional stops, not feeling
I missed any of the minimal plot. But looking at Oscar’s recent history
with Moonlight and The Shape of Water, low-budget, coming
of age stories that excel in visual achievement are king. Cuarón and Roma will walk away with the big prize of the night.



















