I
will first admit that my knowledge of this year’s nominees is lacking. I really
wanted to see some of this year’s contenders, especially Django Unchained, Argo,
and Lincoln. But when you work full
time and are finishing up a master’s degree, it sometimes can be tough to find
a few spare hours to venture to a movie. I’m not trying to make excuses though.
I
was able to see the film favored by many critics, Zero Dark Thirty. My second admission is that I fell asleep about
halfway through the movie. A cheeseburger and two Dogfish Head IPAs before a
10:05 screening on a school night can do that. Again I’m not trying to make
excuses. Not all was lost though. I’m not sure how long I was asleep for, but I
was awoken by the sound of gun shots taking place in the movie. After my
cat nap I was able to focus on the rest of the film.
So what does all that say about my ability to make informed picks? Very little. But certain patterns tend to develop over award season and front-runners develop. And in my mind it’s fun, so I’m going to do it anyway. Let’s tackle the major categories that people actually want to tune in for (sorry best sound mixing).
So what does all that say about my ability to make informed picks? Very little. But certain patterns tend to develop over award season and front-runners develop. And in my mind it’s fun, so I’m going to do it anyway. Let’s tackle the major categories that people actually want to tune in for (sorry best sound mixing).
Best Supporting Actress:
Amy Adams – The Master
Sally Field – LincolnAnne Hathaway – Les Miserables
Helen Hunt – The Sessions
Jacki Weaver – Silver Linings Playbook
Who
doesn’t love Anne Hathaway? She’s the all American actress, this generation’s
Judy Garland. Not to mentioned she looked pretty damn good last summer donning
the Catwoman suit in The Dark Knight Rises.
But I’m straying off the point. This is her second career nomination for a role
where she’s barely on screen for fifteen minutes. Plus she dropped twenty
five pounds for the role and does her own singing. Sally Field might sneak in
and take the prize, but after winning the Golden Globe and Screen Actors Guild
Awards, the trophy goes to Hathaway.Best Supporting Actor:
Alan Arkin – Argo
Robert De Niro – Silver Linings PlaybookPhilip Seymour Hoffman – The Master
Tommy Lee Jones – Lincoln
Christopher Waltz – Django Unchained
None
of these actors are a stranger to Oscar. Arkin (Little Miss Sunshine), De Niro (The
Godfather II, Raging Bull), Hoffman (Capote),
Jones (The Fugitive) and Waltz (Inglorious Basterds) have all basked in
Oscar’s glory. This might be the most wide open category, but I’m going with
Jones for his role as radical Republican Congressman Thaddeus Stevens. Oscar
loves portrayals of real life people. Plus he should win for this alone.
Best Actress:
Jessica Chastain – Zero Dark Thirty
Jennifer Lawrence – Silver Linings PlaybookEmmanuelle Riva – Amour
Quvenzhane Wallis – Beasts of the Southern Wild
Naomi Watts – The Impossible
In a category that has the oldest (Riva) and the youngest (Wallis) nominees ever, it’s a two way race between Chastain and Lawrence. Both won Golden Globes, and Lawrence won at the SAG Awards, making her the front-runner. But I’m going with Chastain. She’s the best thing about Zero Dark Thirty as a fiery CIA agent hell-bent on finding Osama Bin Laden. Years from now when looking back upon great movie lines, her “I’m the motherf!*#er that found this place” should be at the top of the list.
Best Actor
Bradley Cooper – Silver Linings Playbook
Daniel Day-Lewis – LincolnHugh Jackman – Les Miserables
Joaquin Phoenix – The Master
Denzel Washington – Flight

Best Director
Michael Haneke – Amour
Behn Zeitlin – Beasts of the Southern WildAng Lee – Life of Pi
Steven Spielberg – Lincoln
David O. Russell – Silver Linings Playbook
I wrote in a previous post that it was surprising that Katherine Bigelow was ignored
for best director for Zero Dark Thirty.
How did I miss Ben Affleck’s snub for Argo?
All he’s been doing for the past month is piling up directing awards. With that
being said, I don’t think anyone is touching Spielberg. He is one of the best
at his craft, and he does well at Oscar when it comes to historical matters (Schindler’s List, Saving Private Ryan). But
don’t worry. Affleck will have his revenge.
Best Picture
Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty
A
month ago this would have gone to Zero
Dark Thirty, but the debate on the films controversial torture scenes has
killed its changes. Also I personally didn’t think the film lived up to all of
the critical hype, but I don’t receive a vote. So that leaves Argo and Lincoln. Spielberg is going to have flash backs to 1998 when he
won best director for Saving Private Ryan
but then was hosed for best picture, losing to Shakespeare
in Love. Wait, didn’t Affleck have a small role in that movie? I see a
small pattern developing. With twelve nominations, Lincoln is definitely the
favorite. But Argo has been gaining a
lot of steam, racking up awards like Affleck. At the end of the evening the
underdog Argo takes home the top
prize. Hopefully I can stay awake to see it.

cmon cuz! no love for silver linings?? by far the best movie of the year that real people would actually watch and Lawrence, cooper and deniro were amazing in it. not saying they all should win but this movie deserves some love. its great and you definitely need to see it
ReplyDeletei dunno why it has all those numbers and letters where it should have my name but it was me your cousin nick who had that comment
DeleteSo you went 3 for 6. 50% is a good field goal percentage, but since everyone knew Daniel Day Lewis was gonna win, you drop to 2 for 5 or 40%. That would get you into the Hall if you played baseball, but this feels more like you're shooting from the charity stripe and clacking bricks against the backboard...says the guy who made no selections and therefore can critique as freely as he wants.
ReplyDelete