Even
with its critical acclaim, 30 Rock
was never as popular in the ratings as some of its Thursday night predecessors
such as Friends or Seinfeld. Alec Baldwin even considered
leaving the show after season five for what he considered weak scripts. But it’s
the show’s unique style of comedy and joke delivery that could place it in the
same class of NBC’s comedy elite, if not all of television. It provided us
with many classic moments and lines, and gave us phrases and parodies such as
“I want to go to there,” “MILF Island” and my personal favorite, “Werewolf BarMitzvah.” Even the first half of the finale was entitled “Hogcock”, which
Baldwin’s network executive Jack Donaghy labels as “a combination of hogwash
and poppycock.”
The
finale was classic 30 Rock. As the
cast and crew were saying goodbye to TGS, we were saying our final farewell as
a viewing audience. It had its brilliant moments (Conan O’Brien, Julianne Moore
and Selma Hayek’s cameos, Kenneth’s list of television “no-no” words and Jenna’s
“Rural Juror” song, just to name a few). Even Liz and Jack’s final conversation,
with all its sentimentality, infused the show’s brand of silliness.
Ultimately
30 Rock was the product of the
comedic genius of Tina Fey. Liz Lemon’s quirkiness lasted all the way to the
end, highlighted this season by donning a Princess Leah outfit to her wedding. Although
the show allowed Baldwin to shine in his first regular attempt at comedy, it
was Fey’s personal touch that made the show likeable in its distinctive originality.
Similar to Arrested Development, 30 Rock was as smart as it was funny.
For
me it’s going take some time to get used to Thursday nights without 30 Rock. With its absence, NBC is going
to have a difficult hole to fill, especially when The Office says goodbye in May. But 30 Rock went out the right way, doing it on its own terms while not
overstaying its welcome. The same can’t be said for many other shows of its
quality.
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