Every
once in a while a television show comes along that has all the potential to
make a great series, but for some reason doesn’t catch on with a regular
viewing audience. Some of these programs, such as Freaks and Geeks and My So
Called Life, developed a subsequent cult following, further asking the
question of why they were ever cancelled in the first place. Arguably the show
at the top of this list is the critically acclaimed and award winning Arrested Development, being foolishly
cancelled by Fox in 2006 after fifty-three episodes. There were initial rumors
that the show was going to be picked up by another network, but the show’s
creator Mitchell Hurwitz felt he had taken the series as far as he could at the
time, not wanting to disappoint fans with a lower quality product. After 7
years, the Bluth family has finally returned, with fifteen new episodes being
released on Netflix beginning May 26th.
The
last time we were tuning into the Bluths, the wealthy family that lost
everything, their unheralded leader Michael and his son, George Michael, were escaping
on a yacht to Cabo to leave the rest of the family to finally fend for
themselves, after Michael did everything he could to keep his family together
amongst all their bickering and selfishness. Matriarch Lucille was taking the
fall for the family business’s legal problems after selling off a quarter of
the company, and we learn that Michael’s twin sister, Lindsay, is adopted. In
the new season four premier, Michael, after making a brief return to the family
only to tell them off again, is living with George Michael in his college dorm
room, while also being in debt $700,000.00 after his own business venture
fails. Let the dysfunctional hilarity begin.
The
return is long overdue for a show that should not have gone anywhere. Since its
cancellation, Arrested Development
has been heralded by some as one of the funniest shows of all time, and DVD
sales and Netflix has allowed it to catch on with a new audience. It brought
Jason Bateman back to the mainstream, and helped launch the careers of Michael
Cera and Will Arnett. It also has undoubtedly left its mark on comedies of the
modern generation, showing that intelligent and quick joke delivery without a
laugh track can be successful. Its disciples, such as 30 Rock and Community,
have thrived in this model.
Although
there are only fifteen new episodes, the talk is that they are a set up for a
potential movie. Regardless of the show’s future and that of the Bluth family,
this brief resurrection is a welcome comeback. Only a show of its quality could
demand a warranted return. It’s just a shame that Arrested Development was taken from us in the first place.

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